[…] I think, if a person’s face were dead-on symmetrical, that person would look frightening and strange. What we see is symmetry, yet nothing in nature is technically symmetrical. So the slight differences between the left side and the right side are, essentially, what I’m striving for. I’m playing with what looks balanced. It’s building in the mistakes. If you push it too far, the mistake takes over and begins to look premeditated. As we look around us, our eyes and our minds are interpreting and understanding, but if you try to intellectualize it, you can lose it.